Letters of Vincent van Gogh

A literary classic, The Letters of Vincent van Gogh Captures the voice of one of the most beloved and important artists of all time.

Though Vincent van Gogh is often thought of as a mad genius, in The Letters of Vincent van Gogh the thoughtful, effervescent, and sensitive man is revealed to readers through his own voice.

This collection of letters, arranged in chronological order and written to Vincent's closest confidant, his brother and art dealer, Theo, provide a riveting narrative of van Gogh's life. The letters expose Vincent's creative process; his joy and inspiration derived from literature, Japanese art, and nature; as well as his many romantic disappointments and constant poverty. Also documented are Vincent's close relationships with fellow artists, especially Paul Gauguin. Van Gogh's tender and often ebullient letters provide a sharp contrast to the devastating and frequently violent mental breakdowns that plagued and eventually destroyed him.

Collected and edited by art historian Mark Roskill, this volume also includes a chronology, a short memoir by van Gogh's sister-in-law that fills in many of the blanks of Vincent's early years, and reproductions of selected artwork discussed in van Gogh's letters.

An epistolary classic, The Letters of Vincent van Gogh is not just an important historical collection but also a captivating treasure.

Publishers Weekly

Van Gogh was 37 and on the edge of fame when, in 1890, he shot and killed himself. Unable to sell his brilliant canvases, he was utterly dependent upon his younger brother, Theo, to whom most of the letters collected here are written. Anguished by loss of faith after planning to be a priest, disappointed in several once-promising love affairs, he was also so tormented by poverty that one of his artistic breakthroughs occurred when, without proper colors, he brushed in "a garden, green by nature, but painted without actual green, nothing but Prussian blue and chrome yellow." Whether van Gogh's suicide was the inevitable culmination of depression, or due to epilepsy or to professional frustration (he is remembered, beyond his pictures, for razoring off part of his ear), his letters reveal that the end was long contemplated. In 1878, he had written to Theo, "It must be good to die in the knowledge that one has done some truthful work." By the time he put a hole in his chest, he knew he had done that. The letters, edited by de Leeuw, the director of the van Gogh Museum in Amsterdam, echo the artist's passionate voice, and the connective narrative excerpts other letters that readers may regret not having in full. Integral to the letters are 49 pen-and-ink sketches that evidence van Gogh's development into a creative force. Although each letter possesses an inherent pathos because one knows what lies ahead, van Gogh's epistolary appeal goes beyond melodrama. Often inspired by books despite being a limner of peasant life and the land, he once wrote, "How beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy." (Sept.)